How 9-year-old YouTube millionaire Ryan Kaji is building a kids’ media empire

In 2015, when Ryan Kaji was three years old, he asked his parents why he wasn’t on YouTube like the other kids he was watching. Ryan’s mom, Loann, and dad, Shion, created the channel Ryan ToysReview that same year, uploading videos of Ryan opening and playing with toys and conducting at-home science experiments. Initially, they thought YouTube would be just another hobby for Ryan, like swimming or gymnastics. At the very least, it was a fun way to keep their extended families in Vietnam and Japan up-to-date on Ryan’s life in Texas. But in less than a year, Ryan ToysReview, which they later renamed Ryan’s World , was one of YouTube’s top kids’ channels. [Photo: courtesy of Ryan’s World] “We saw a tipping point of the channel very early on,” says Shion, whose family’s surname is Guan—Kaji is their stage name. “We were very confused because we were uploading the videos as a hobby, and the production value wasn’t that great either. So at first my wife and I thought maybe somebody was hacking our channel.” Today, at just nine years old, Ryan is YouTube’s highest earner (child or otherwise) for three years running, according to Forbes , pulling in an estimated $29.5 million in revenue in 202o. Ryan’s World has more than 45 million subscribers across nine channels and has generated more than 62 billion lifetime views. “It’s exciting seeing people enjoying my content and what we make,” Ryan says. Children’s content is the most viewed on YouTube and has certainly made some very young people very rich. But the platform’s evolving policies around permissible content and what can be monetized has created something of an unstable environment for creators, especially for kid-centric channels such as Ryan’s World. In 2019, Google was fined $170 million because YouTube violated the FTC’s Children’s Online Privacy Protection Act, which requires websites to have certain guidelines for collecting personal data from children under 13. That fine led to YouTube creating new privacy rules around videos targeted toward kids, including limiting advertising, a key revenue stream for creators. “It hit us tremendously,” Shion says. “More than half our revenue from YouTube decreased since the new regulation.” Keeping kids safe online is paramount, but critics of YouTube’s response felt it put creators on the hook for an issue the platform created in the first place. According to the complaint , YouTube touted itself as the premier destination for kids’ content but never bothered complying with COPPA. So when the FTC finally cracked down, YouTube’s efforts seemed more reactive and sweeping, impacting creators far more than a $170 million fine flicked at a company worth billions. Kidfluencer content on YouTube is also under the eye of watchdog organizations monitoring the disclosure of advertising products and services in videos aimed at kids. The group Truth in Advertising filed a complaint with the FTC against Ryan’s World in 2019 accusing the Kajis of not properly flagging branded videos Read More …

Plex wants to go mainstream by fixing streaming TV’s biggest annoyance

Slowly and steadily, Plex is working to place itself at the center of the streaming wars. The 13-year-old company may still be best-known for its media server software, beloved by people who want to maintain their own entertainment collections on their own hard drives. Lately, however, it’s been chasing a broader mission to bring all the world’s media into one app. Instead of making you bounce between a dozen or more different apps to find what you want, Plex thinks it can make sense of the mess through a combination of subscriptions, rentals, free videos, and deep links into other apps—all delivered through a single menu. Read More …

‘Black Panther 2’ is supposed to film in Georgia. Why are Disney and Marvel so quiet?

Earlier this week, two prominent Black filmmakers took a stand against Georgia’s new, restrictive voting laws by pulling their upcoming project out of the state. Emancipation , a slave drama starring Will Smith and directed by Antoine Fuqua for Apple TV, will no longer be shooting in the Peach State. “At this moment in time, the Nation is coming to terms with its history and is attempting to eliminate vestiges of institutional racism to achieve true racial justice,” Fuqua and Smith said in a joint statement . “We cannot in good conscience provide economic support to a government that enacts regressive voting laws that are designed to restrict voter access.” The laws , signed by Republican governor Brian Kemp in the wake of Georgia’s Democratic victories in the presidential and Senate elections, disproportionately restrict voting access for Black and poor voters through things such as limiting the number of ballot drop boxes and narrowing the window to request an absentee ballot. The backlash from Democrats has been fast and furious. President Biden called the new laws   “un-American” and “sick,” equating them to “Jim Crow in the 21st century.” Fuqua and Smith aren’t the only ones in Hollywood who have taken a stand against the laws, but they are an overwhelming minority. With the exception of a few other voices, including Ford vs. Ferrari director James Mangold and actor Mark Hamill, who have vowed not to film in Georgia—one of the biggest production hubs in the country due to generous tax incentives and an abundance of sound stages—for the most part Hollywood has remained mum on the subject. A few conglomerates, such as Comcast (owner of NBCUniversal), AT&T (owner of WarnerMedia), and Viacom have expressed their unhappiness over the legislation but have stopped short of saying they would not film in the state. AT&T said that it was working with members of the Atlanta and Georgia chambers of commerce to support “policies that promote accessible and secure voting while also upholding election integrity and transparency.” (In Atlanta, local business behemoths Coca-Cola and Delta were faster to take strong stands against the laws, though under public pressure and with predictable backlash.) Other broad-ish efforts have included an open letter published in the New York Times and Washington Post on Wednesday that called out efforts to restrict voting access but did not name Georgia specifically. The letter was signed by companies including Amazon, Netflix and Apple, and individuals such as J.J. Abrams, Shonda Rhimes and Samuel L. Jackson. But several weeks into the controversy, neither Disney nor its Marvel division, which are reportedly ramping up to start shooting one of the most high-profile projects of the year in Georgia in July, have made a public statement—and that silence is increasingly deafening. That project would be Black Panther 2 , the follow-up to the 2018 blockbuster. Buzz about the film’s shoot increased with the news of Emancipation ‘s relocation on Monday. Here is yet another high-profile Hollywood production steeped in racial justice themes and with a virtually all-Black cast, and one with significantly more global awareness. If any single project could serve as a platform for Hollywood’s condemnation about what’s going on in Georgia, it’s the Marvel tentpole Read More …

Roku’s new Voice Remote Pro might have just outsmarted smart speakers

More than six years after Amazon introduced its first Echo speaker, Roku is finally releasing its own entertainment product with hands-free voice controls. But instead of building a smart speaker, Roku is adding “Hey Roku” voice commands to one of its remotes. With the Roku Voice Remote Pro, users can ask to launch apps, play specific videos, listen to music, control playback, or turn off the TV. The remote costs $30 on its own, and Roku hasn’t announced any plans to bundle it with its current line of streaming players. The announcement—one of several that the company is making today—is vintage Roku. The giant of streaming video believes devoutly in incrementalism, so while Amazon and Google have been selling millions of smart speakers that integrate with their respective Fire TV and Chromecast streaming platforms, Roku has hung back and waited for its own voice technology to improve. Read More …

Netflix’s big bet on global content could change how we see the world

As a kid growing up in Italy, I remember watching the American TV series Happy Days , which chronicled the 1950s-era Midwestern adventures of the Fonz, Richie Cunningham, and other local teenagers. Happy Days was a product of Hollywood, which is arguably still the epicenter of the global entertainment industry. So recent news that the streaming service Netflix is opening an Italian office and will begin massively funding original local content with the intent of distributing it globally on its platform —following a strategy already launched in other European countries—struck me. The show, combined with other American entertainment widely available in Italy in the 1970s and 1980s, shaped my perception of the United States long before I ever set foot in the country. Today, I call the U.S. home, and I have developed my own understanding of its complexities Read More …