Will you go back to a movie theater for more ‘Sopranos’? This filmmaker is betting on it

Kristian Fraga ‘s new film is nearly three hours long and mostly involves people sitting in chairs talking. But the director is convinced it’s a film that will get audiences back in theaters, where it is being shown starting on May 19.   There’s another hook too. The three-part documentary, being distributed by CineLife Entertainment, is about The Sopranos , so it’s essential viewing for fans of the seminal HBO show.   Fraga admits that to those who have no interest in Tony Soprano and his turn-of-the-century mobster malaise, Sopranos Sessions “will be like watching paint dry.” But his hope is that the film will also tap film and TV lovers interested in the craft of visual storytelling and the creative process of someone such as series creator David Chase, and that its intimate, pared-down nature will be a draw for theatergoers who have been pent up at home during COVID-19.   “I don’t have vistas or camels or spaceships,” Fraga says. “But the immediacy of the big screen and the experience of being in a theater where there are no distractions—you kind of get into the zone of the conversation.”   [Photo: CineLife Entertainment] There are many conversations. Read More …

Inside Hulu’s Disney-style future

Just over a year into Hulu’s full integration with the Walt Disney Company—thanks to Disney’s $71 billion acquisition of 20th Century Fox in 2019—the seeds of that partnership are starting to bear significant fruit. This year’s Best Picture Oscar winner, Nomadland , is available on Hulu, because it is a Searchlight Pictures title. FX, meanwhile, created one of Hulu’s most popular series last year, The Teacher . And the upcoming How I Met Your Mother spin-off— How I Met Your Father , which will star Hilary Duff—is based on the hit sitcom from 20th Century Fox Television. As Hulu continues to grow—it added 2.2 million domestic subscribers in the most recent quarter, bringing its total to 41.6 million—its strategy is simple: lean even harder into the creative hubs of its parent company. And not just the Fox arteries. Hulu is working more closely with ABC News on content, such as the exclusive one-hour special, 24 Hours: Assault on the Capitol , that streamed last January. Through a new deal that Disney signed with the National Hockey League in March, select hockey games will stream not just on ESPN Plus but also on Hulu. More football is also coming to the streamer thanks to its parent company, which owns ESPN. Read More …

Meet the mystery woman who mastered IBM’s 5,400-character Chinese typewriter

I had seen this woman before. Many times now. I was certain of it. But who was she? In a film from 1947, she’s operating an electric Chinese typewriter, the first of its kind, manufactured by IBM. Semi-circled by journalists, and a nervous-looking middle-aged Chinese man—Kao Chung-chin, the engineer who invented the machine—she radiates a smile as she pulls a sheet of paper from the device. Kao is biting his lip, his eyes darting back and forth intently between the crowd and the typist. As soon as I saw that film, I began to riffle through my files. I’m a professor of Chinese history at Stanford University, and I was years into a book project on the history of modern Chinese information technology—and the Chinese typewriter specifically. By that point, I had amassed a large and still-growing body of source materials, including archival documents, historic photographs, and even antique machines. My office was becoming something of a private museum. As I thought, I’d encountered the typist previously in my research, in glossy IBM brochures and on the cover of Chinese magazines. Who was she? Why did she appear so frequently, so prominently, in the history of IBM’s effort to electrify the Chinese language? Read More …

Meet the mystery woman who mastered IBM’s 5,400-character Chinese typewriter

I had seen this woman before. Many times now. I was certain of it. But who was she? In a film from 1947, she’s operating an electric Chinese typewriter, the first of its kind, manufactured by IBM. Semi-circled by journalists, and a nervous-looking middle-aged Chinese man—Kao Chung-chin, the engineer who invented the machine—she radiates a smile as she pulls a sheet of paper from the device. Kao is biting his lip, his eyes darting back and forth intently between the crowd and the typist. As soon as I saw that film, I began to riffle through my files. I’m a professor of Chinese history at Stanford University, and I was years into a book project on the history of modern Chinese information technology—and the Chinese typewriter specifically. By that point, I had amassed a large and still-growing body of source materials, including archival documents, historic photographs, and even antique machines. My office was becoming something of a private museum. As I thought, I’d encountered the typist previously in my research, in glossy IBM brochures and on the cover of Chinese magazines. Who was she? Why did she appear so frequently, so prominently, in the history of IBM’s effort to electrify the Chinese language? The IBM Chinese typewriter was a formidable machine—not something just anyone could handle with the aplomb of the young typist in the film. On the keyboard affixed to the hulking, gunmetal gray chassis, 36 keys were divided into four banks: 0 through 5; 0 through 9; 0 through 9; and 0 through 9. With just these 36 keys, the machine was capable of producing up to 5,400 Chinese characters in all, wielding a language that was infinitely more difficult to mechanize than English or other Western writing systems Read More …

How 9-year-old YouTube millionaire Ryan Kaji is building a kids’ media empire

In 2015, when Ryan Kaji was three years old, he asked his parents why he wasn’t on YouTube like the other kids he was watching. Ryan’s mom, Loann, and dad, Shion, created the channel Ryan ToysReview that same year, uploading videos of Ryan opening and playing with toys and conducting at-home science experiments. Initially, they thought YouTube would be just another hobby for Ryan, like swimming or gymnastics. At the very least, it was a fun way to keep their extended families in Vietnam and Japan up-to-date on Ryan’s life in Texas. But in less than a year, Ryan ToysReview, which they later renamed Ryan’s World , was one of YouTube’s top kids’ channels. [Photo: courtesy of Ryan’s World] “We saw a tipping point of the channel very early on,” says Shion, whose family’s surname is Guan—Kaji is their stage name. “We were very confused because we were uploading the videos as a hobby, and the production value wasn’t that great either. So at first my wife and I thought maybe somebody was hacking our channel.” Today, at just nine years old, Ryan is YouTube’s highest earner (child or otherwise) for three years running, according to Forbes , pulling in an estimated $29.5 million in revenue in 202o. Ryan’s World has more than 45 million subscribers across nine channels and has generated more than 62 billion lifetime views. “It’s exciting seeing people enjoying my content and what we make,” Ryan says. Children’s content is the most viewed on YouTube and has certainly made some very young people very rich. But the platform’s evolving policies around permissible content and what can be monetized has created something of an unstable environment for creators, especially for kid-centric channels such as Ryan’s World. In 2019, Google was fined $170 million because YouTube violated the FTC’s Children’s Online Privacy Protection Act, which requires websites to have certain guidelines for collecting personal data from children under 13. That fine led to YouTube creating new privacy rules around videos targeted toward kids, including limiting advertising, a key revenue stream for creators. “It hit us tremendously,” Shion says. “More than half our revenue from YouTube decreased since the new regulation.” Keeping kids safe online is paramount, but critics of YouTube’s response felt it put creators on the hook for an issue the platform created in the first place. According to the complaint , YouTube touted itself as the premier destination for kids’ content but never bothered complying with COPPA. So when the FTC finally cracked down, YouTube’s efforts seemed more reactive and sweeping, impacting creators far more than a $170 million fine flicked at a company worth billions. Kidfluencer content on YouTube is also under the eye of watchdog organizations monitoring the disclosure of advertising products and services in videos aimed at kids. The group Truth in Advertising filed a complaint with the FTC against Ryan’s World in 2019 accusing the Kajis of not properly flagging branded videos Read More …