The 10 most innovative companies in media

As the media industry was rocked by the pandemic in 2020, companies were forced to quickly come up with creative ways to make and distribute content, as well as keep audiences united during a socially divisive time. These companies led the way on those fronts and more. 1. SpringHill Company For marrying entertainment with social justice through Hollywood content LeBron James and Maverick Carter’s marketing and entertainment company has an unapologetic agenda: to make and distribute content that will give a voice to creators and consumers who have been pandered to, ignored, or underserved. Its commitment to this community hasn’t wavered as the company significantly scaled into a content creation powerhouse and raised $100 million in 2020. It was a producer of the Netflix limited series Self-Made , starring Octavia Spencer as Madam C.J. Walker, the Black creator of an early-20th-century beauty empire; and the documentary series The Playbook about legendary coaches, also on Netflix. SpringHill Company also backed James’ More than a Vote initiative to boost voter turnout, and created animated shorts and other digital media to educate and inspire people to get involved in the Presidential election. More content is on the way thanks to a blizzard of new deals with Amazon, Disney, Universal, CNN, Sirius, and more. 2 Read More …

Why Disney wants $30 for ‘Raya and the Last Dragon’ when ‘Soul’ was free

Disney fans who spent the Christmas holiday streaming the Pixar feature Soul for their kids via Disney Plus may be a little confused this weekend. Disney Animation’s latest film, Raya and the Last Dragon , which is out March 5 and is about a Southeast Asian warrior princess on a quest to find a dragon that will unite her people, will also be on Disney Plus, but subscribers will have to pay an additional $30 to see it, at least right now. This summer, the film will be available to all Disney Plus subscribers for free. There’s one additional wrinkle: Raya is also being released in theaters. Well, some of them. Cinemark, the third-biggest movie theater chain in the United States is refusing to show the film, reportedly because Disney’s financial terms were too onerous for a movie that is also being released on streaming.   Consumer whiplash? Just a tad. This is a phenomenon that points to how entertainment conglomerates are still very much in experimentation mode when it comes to settling the streaming vs. theatrical debate, particularly when it comes to kids’ films. It also underlines just how many kinks still have not been worked out (i.e., with theater chains). For a sense of how chaotic and unresolved it all is—and how there is truly no single, settled-upon formula—consider that on March 4, Paramount released The SpongeBob Movie: Sponge on the Run exclusively on its new streaming platform, Paramount Plus, as well on premium video-on-demand rental platforms for $19.99 . A week earlier, Warner Bros. released Tom & Jerry both in theaters and on HBO Max (at no extra charge).   According to Paul Dergarabedian , senior media analyst for Comscore, this is the new world order wrought by the pandemic that has wreaked havoc on the theater exhibition business. “‘Are you going to go streaming or theatrical?’ That used to be the question, and there were two answers,” he says. “Now there are 10, 15 answers and permutations of how you can release a movie.”   Raya ‘s rollout mirrors Disney’s release of the live-action Mulan last summer, an approach that confused consumers—as well as generated ire . Thirty bucks when subscribers were already paying $7 a month for Disney Plus Read More …

How Disney Plus is winning by ripping up the streaming playbook

Earlier this month, Netflix sent out an email announcing titles on its service for that week. The flurry of personalized (for the subscriber) titles included its teen romance hit To All the Boys: Always and Forever ; the Nickelodeon series iCarly ; and War Dogs , a Netflix original movie starring Bradley Cooper. There were also promos for recent Netflix originals: Bridgerton , Shonda Rhimes’ buzzy period drama; the teen film We Can Be Heroes ; and George Clooney’s sci-fi film The Midnight Sky . Disney also sent out an email that week announcing what it was touting on its streaming service, DisneyPlus. Most prominently featured was Cinderella , the 1997 TV adaptation of the Rodgers and Hammerstein musical starring Brandy. Less space was given to a single episode—number six—of the Marvel series WandaVision , a DisneyPlus exclusive, and High School Musical: The Musical: Series , another Disney Plus show that debuted in 2019. As streaming services duke it out and woo subscribers—the latest, Paramount Plus , debuts on March 4—Disney is snubbing its nose at the streaming playbook pioneered most meaningfully (and aggressively) by Netflix. It is not promising a brand-new TV show or movie every single day of the year. It is not churning out splashy press releases announcing lavish deals with TV and filmmakers like Rhimes and Ryan Murphy. It isn’t catering to consumers by allowing them to binge an entire season of a show in one sitting. Want to watch WandaVision ? Read More …