HBO Max is Discovery’s ’90 Day Fiancé.’ Does this marriage make sense?

The announcement of the megamerger between Discovery Communications and WarnerMedia on Monday underscored several things: that AT&T, which spent $85 billion just three years ago to acquire TimeWarner in an attempt to seamlessly marry entertainment and mobile communications had arrived at the conclusion that that effort was anything but seamless, and was now spinning off its entertainment assets. (Offloading some of AT&T’s $160 billion debt was also a motivating factor.) Consolidation in Hollywood is the way forward. (Unless regulators block tie-ups like this.) And the future, more than ever before, is all about streaming Read More …

Meet the mystery woman who mastered IBM’s 5,400-character Chinese typewriter

I had seen this woman before. Many times now. I was certain of it. But who was she? In a film from 1947, she’s operating an electric Chinese typewriter, the first of its kind, manufactured by IBM. Semi-circled by journalists, and a nervous-looking middle-aged Chinese man—Kao Chung-chin, the engineer who invented the machine—she radiates a smile as she pulls a sheet of paper from the device. Kao is biting his lip, his eyes darting back and forth intently between the crowd and the typist. As soon as I saw that film, I began to riffle through my files. I’m a professor of Chinese history at Stanford University, and I was years into a book project on the history of modern Chinese information technology—and the Chinese typewriter specifically. By that point, I had amassed a large and still-growing body of source materials, including archival documents, historic photographs, and even antique machines. My office was becoming something of a private museum. As I thought, I’d encountered the typist previously in my research, in glossy IBM brochures and on the cover of Chinese magazines. Who was she? Why did she appear so frequently, so prominently, in the history of IBM’s effort to electrify the Chinese language? Read More …

Meet the mystery woman who mastered IBM’s 5,400-character Chinese typewriter

I had seen this woman before. Many times now. I was certain of it. But who was she? In a film from 1947, she’s operating an electric Chinese typewriter, the first of its kind, manufactured by IBM. Semi-circled by journalists, and a nervous-looking middle-aged Chinese man—Kao Chung-chin, the engineer who invented the machine—she radiates a smile as she pulls a sheet of paper from the device. Kao is biting his lip, his eyes darting back and forth intently between the crowd and the typist. As soon as I saw that film, I began to riffle through my files. I’m a professor of Chinese history at Stanford University, and I was years into a book project on the history of modern Chinese information technology—and the Chinese typewriter specifically. By that point, I had amassed a large and still-growing body of source materials, including archival documents, historic photographs, and even antique machines. My office was becoming something of a private museum. As I thought, I’d encountered the typist previously in my research, in glossy IBM brochures and on the cover of Chinese magazines. Who was she? Why did she appear so frequently, so prominently, in the history of IBM’s effort to electrify the Chinese language? The IBM Chinese typewriter was a formidable machine—not something just anyone could handle with the aplomb of the young typist in the film. On the keyboard affixed to the hulking, gunmetal gray chassis, 36 keys were divided into four banks: 0 through 5; 0 through 9; 0 through 9; and 0 through 9. With just these 36 keys, the machine was capable of producing up to 5,400 Chinese characters in all, wielding a language that was infinitely more difficult to mechanize than English or other Western writing systems Read More …

Miller Genuine Draft and the black hole of space advertising

This week Miller Genuine Draft aimed to be the latest brand to launch a seltzer. Just not the brand extension product you can buy at a store. No, Miller was going to launch a seltzer into space. The brand had spent the preceding days hyping its stunt of launching a hard seltzer—beer’s latest trendy rival—as a gesture of hostility toward yet another tasteless carbonated beverage in a can. Miller has seen the proliferation of hard seltzer, like so many boozy bunny rabbits, increasingly take shelf space and cultural real estate from the original suds. Perhaps the bulk of its disdain is saved for beer brands that have jumped on the clear bevvie bandwagon such as Michelob Ultra, Bud Light, Corona, and Pabst Blue Ribbon. T-minus 45 minutes until MGD launches a hard seltzer. Into oblivion. Tune into @MillerLite 's page to watch it all go down! pic.twitter.com/nGUTycScvx — Molson Coors Beverage Company (@MolsonCoors) May 13, 2021 This was going to be the “beer’s beer” brand’s own little “Stratos” moment. A live broadcast across social media of an elaborately expensive and ultimately pointless stunt. “We brew beer, it’s what we do, it’s what we love,” says the spokesman. “But then so many other brands started hopping on that bandwagon, then all of a sudden there came this overwhelming expectation for us to do the same.” It wouldn’t have to look far for that expectation. Miller parent company Molson Coors has been more than happy to jump on the trend, with hard seltzers such as Vizzy and Coors Seltzer. Sofia Colucci, VP of the Miller Family of Brands, told AdAge , “This program is really meant to reinforce the role of one of our key brand portfolios—the Miller Family—and that we’re a beer’s beer. The only seltzer launch we’re planning is this launch into oblivion, so yes, Miller will remain dedicated to beer and beer only.” Live at 4pm EST. Seltzer gets the launch it deserves ????. https://t.co/yMNtBbmqaO — Miller Lite (@MillerLite) May 13, 2021 When it finally came time to follow through on this elaborate gimmick, though, the brand blinked. There was no real launch. The rocket exploded before taking off. Read More …

Remote work made digital nomads possible. The pandemic made them essential

This story is part of  The Road Ahead , a series that examines the future of travel and how we’ll experience the world after the pandemic. In April, a radio DJ, a marine ecologist, a water polo player, and a migrant studies scholar flew to idyllic Dubrovnik, a seaside city in Croatia with a vast labyrinth of medieval architecture famed for composing the scenery of the cult fantasy TV show Game of Thrones . Hailing from Finland, Japan, and the United States, the travelers were among 10 lucky winners of a first-of-its-kind  digital nomad residency contest, for which the prize was a month-long stay in the lush “Pearl of the Adriatic” with complimentary meals and lodging. The residents ate, drank, networked, and day-tripped to the cliffs of Konavle—home of 2020’s most beautiful beach in Europe—and the island of Mljet, which is shrouded in dense forest that features exciting hazards like venomous snakes and wild mongooses. Ostensibly, they were there to brainstorm how to design Dubrovnik as a nomad-friendly city in the digital age. But for Croatia, the real goal was to market its own image away from a “holiday playground,” as program director Tanja Polegubic calls it, into a serious long-term destination for remote workers. You could think of it as striking while the iron is hot—or really, while Croatia is hot: During the COVID-19 pandemic, the country saw an influx of workers fleeing expensive cities in western Europe. “Asia wasn’t an option, so a lot of people were looking to the Balkans because the further east you go, it’s a lot cheaper,” Polegubic says. Croatia’s not alone: Countries spanning the Caribbean isle to the Arabian desert are suddenly pivoting to court digital nomads in the post-coronavirus era, dangling everything from free vaccines, to tax breaks, to the chance to live in tropical paradise. Call it a new global arms race, where the weapon in question is an arsenal of highly skilled remote workers—ones that were trapped in their homes during the pandemic, but could now be untethered by it from their offices forever. With a new class of human capital up for grabs, countries are looking to stockpile talent, and digital nomads are living a new reality: They’ve become a hot commodity. COVID-19 was an existential crisis: For the first time, a community built around having no fixed address was forced to shelter in place.” Digital nomads, ironically, are easy to locate. By nature of their lifestyle, many have built careers on the internet: sharing snapshots of dreamy landscapes spun from coconut palm trees and rainbow-colored villas, hosting blogs that detail the ins and outs of life perpetually on the road Read More …